Showing posts with label Shin-buster. Show all posts
Showing posts with label Shin-buster. Show all posts

Tuesday, March 30, 2010

Boxes full of booty (no, not that kind of booty!)

As I perused the Stage Manager's exhibits at the theatre conference I found some other items of interest, too.  Most of the kits had some sort of First Aid section, and several had Flash Lights and/or Spare Batteries, and a few had Chemical Light Sticks stowed-away.  All good things to have if the lights go out.

However, what was really interesting was that all of the portable kits I saw were BLACK.  All black.  Barely a fleck of color anywhere.  It reminded me of the picture below:

"Polar bear in a snow storm"
Now I know that black is the color of choice for all things theatre, but this doesn't make any sense.  It's not like you don't want to be able to find your tool box.  It's not like your tool box is going to be flirting around the wings and might be seen by the audience.  And guess what?  If the lights go out - you wouldn't be able to find your flashlight or Calume light sticks!  A black box in a black backstage environment with the lights out is nothing but a trip hazard or shin-buster.

Not  black ? Sacrilege!  Keel-haul the scallywag! At the very minimum, place some photoluminescent marker tape around the perimeter so that you can find it when the lights go out.  A bit of highly reflective (i.e. retroreflective) marker tape along side the photoluminescent tape would be a good idea, too - this way if you shine even the weakest of flashlights in the general direction of the toolbox, it'll light-up like a fireworks display and you can grope your way toward it a bit easier.  There is a reason that Firefighters and Liferafts both have SOLAS* type marker tape on them - so they can be seen under the worst of lighting conditions.

*SOLAS - Save Our Lives At Sea - Solas type marker tape is commonly used on road signs and highway barrier marking because it does such a darn good job of blinding you with your own headlights.

So, how about some alternatives?  OK. Lets try these:
DuraTool D00403
DuraTool D00407
Stanley 2-in-1 Mobile Work Center
(a bit black, but nothin' a bit-o-tape won't fix either)

Stanley 3-in-1 Mobile Work Center

Sunday, February 14, 2010

Don't be bored with the baseboard

Baseboard material that has a photoluminescent strip molded right into it.  Good stuff in hallways, restrooms, dressing rooms, lobbies - just about anywhere you don't want to stumble-around in the dark.  This is particularly handy for new construction or renovations, as you generally are going to have a baseboard anyway, so you might as well do it right from the get-go.  The nice thing about having it built-in is that it won't get scuffed-off or scratched-up.

Resources:
Safe Glow (www.safeglow.com/PhotoluminescentProducts.LowLevel.Hallway.html)
Glow Tech (www.glowtechinc.com/glowing_baseboard_strip.htm)

Thursday, February 4, 2010

Painting the town

As wonderful as glow-in-the-dark photoluminescent tape is, sometimes it is just easier to paint something.  Odd shaped or textured surfaces, or just bulk application frequently makes it more economical to do this, too.  Another reason to paint rather than stick, is that the finish is more permanent.  Tape-based products vary in the type of base material they are made from, and adhesive backing provided.  In high traffic areas (for hands, too, not just feet) tapes can sometimes snag on the edge and either create a trip hazard and/or a peeling problem.  Curious vandals may want to re-appropriate your carefully applied glow-tape, too.

When looking for glow-in-the-dark photoluminescent paints, it is highly recommended that you verify that the products meet ot exceed the New York City MEA 451-05-M-2 Standard for LL26 Safety Evacuation Markings.  These aren't the only certification for products, but it is one of the most common and well publicized references out there.

Also, note that some products don't use the Stontium Aluminate (SrAl) based pigments, either.  The products by GloNation, although very cool and helpful for special effects, use phosphorescent dyes; and the Rustoleum 214945 'Glow-in-the-Dark' Latex paint, which uses zinc sulfide (ZnS).  Many of the cheaper photoluminescent Low Location Lighting (LLL) systems in use today are based on zinc sulfide (ZnS) as the main pigment. The advantage is relatively quick charging, but these products have a limited 'storage' life and the ZnS corrodes over time (2-4 years lifespan).  It also doesn't glow as long or brightly after being charged. However, the introduction of Stontium Aluminate (SrAl) as a pigment, has provided a much higher level of performance. Although it takes slightly longer to charge, it can 'store' more light, making it much more suitable for use in locations where ambient light levels are low, or dark for extended periods.

Lastly, in order to get a good bright glow paint treatment, it is very important to follow the manufacturer's directions (you know: RTFM! ).
  • Most of them require a bright white base coat so that there is a reflective surface behind the paint to assist the glow.  If you paint the glow material over a dark surface, then the glow that emits from the back-side of the coating will just be absorbed into the background instead of reflected back out through the nominally transparent glow paint coating.
  • Apply several coats of the material to build-up a few mils of  paint thickness.  One thing you will notice with most photoluminescent products is that the brightness of the product is related to the thickness of the product (it is also related the formulation).
  • Apply a clear coating to protect the photoluminescent coating.  Otherwise it will eventually scrape-off or wear-off.  This stuff ain't cheap, so make the effort to keep it intact.
You can also apply traction grit additives to the coatings.  Ask your vendor what they recommend, and whether it should be mixed into the photoluminescent coatings, or into the clear over-coat.

Resources:
American Permalight (http://www.americanpermalight.com/) - Spray paint, Acrylic Wall paint, and 2-part Epoxy & Polyurethane paints
EverGlow (www.everglow.us/?everglow=&photoluminescent=6&signs=coatings-paints)
GloBrite (http://www.globriteltd.com/coatings.asp)
GloNation (www.glonation.com/pigmented-glow-paint.html)
GloTech International (www.glotechint.com/paint.htm)
KanKote (http://www.kankote.com/)
KryptaGlow (http://www.krypta-glow.com/)
GBC Coatings (www.gbcsafetyglow.com/glow-polyurea-photoluminescent-glow-in-the-dark-safety-floor-marking-coatings/industrial-photo-luminescent-floor-striping-and-coating.html)
Metal Safe Sign International (www.mss-int.com/prod01.html)
ProLayer Inc. (http://www.prolayerinc.com/)

Get samples.  Apply.  Test - for a really long time - say . . . 12 hours.  Buy the one that works best.

Saturday, January 30, 2010

Things that Glow-In-The-Dark

"Glow-Tape" is a staple of any theatre operation.  Its great for making all those things that are shin-busters, head-bangers, and fall-hazards.  How many times have you run-around five minutes before a show with a flash-light 'charging-up' the glow-tape?  Crazy, isn't it?  Especially if you have to do it again between each act.  And after awhile, it just won't 'take a charge' and you have to repace it.  What a pain.

Technology marches forward, and we in the theatre industry benefit from it.  Cool.  The problem is, what if no-one told you there was a better way?  Introducing high-tech glow tape that really does the jobStrontium-Aluminate (SrAl) is a chemical compound that is non-toxic, non-radioactive, and generally safe to work with.  It has the ability to be 'charged-up' (activated with UV light) and maintain it's glow for 8, 12, 24, even 48 hours (depending upon the exact formulation) after it is activated.  Some products will glow for up to 45 days.  Wow.  Good Stuff.  Very Good Stuff.  This ain't your father's glow tape.  Uh-uh.  And get this: A quality Strontium-Aluminate based product will typically last 20-30 years.  Oooh.  Ahh.  (And the crowd cheers.)


Over the next few posts I'm going to provide information about some of the great benefits and products that are out there that are extremely applicable to the performing arts environment.  Glowing stuff is not just for backstage, it's for many locations around your facility.

For starters, lets look at the great literature that is available.  Check out these web sites for some very good reading material:

PSA (Photoluminescent Safety Association): http://www.plsafety.org/
Check-out their various tabs, particularly the 'Codes' section.

PSPA (Photoluminescent Safety Products Association) http://www.pspa.org.uk/
Download their "PSPA Guide to the Use of Photoluminescent Safety Markings Part 1 Egress Markings in Stairwells" document on the Technical | Standards tab - it's a treasure trove of recommendations.

And for a commonly used reference in the US, visit the New York City Department of Buildings web site to get "Reference Standard 6-1 - Photoluminescent exit path markings"
www.nyc.gov/html/dob/downloads/pdf/rs_6-1.pdf