Showing posts with label Hazard Recognition and Reporting. Show all posts
Showing posts with label Hazard Recognition and Reporting. Show all posts

Monday, August 3, 2015

IATSE Launches Safety Hotline

The International Alliance of Theatrical Stage Employees (IATSE) recently launched its safety hotline so members can report hazards on the job.

When an IATSE member calls the toll free number 844-IA AWARE, (844-422-9273), the caller can either leave a message for or talk to a safety representative who will help handle the issue. Sometimes the safety representative will contact the IATSE Local’s representative and assist them with the issue, or call the employer directly.

Because IATSE members commonly work for many different employers, the system of employers reporting hazards to OSHA sometimes breaks down. The IATSE Safety Hotline is a safety net.

The IATSE Safety Hotline is not intended to take the place of an employer’s hazard reporting plan or to relieve the employer from their responsibility to keep jobs safe.

In The Official Bulletin, the IATSE monthly newsletter, Kent Jorgensen, IATSE's Chairman of the Safety Committee, provides more details on the safety hotline on page 42.  This also includes guidelines for members to follow.  See: http://iatse.net/member-resources/publications/official-bulletin/official-bulletin-2015-q2-no-648


Wednesday, November 21, 2012

SchoolDude & Facility Masters Team-up with Theatre Safety Blog for Free Webinar



Facility Masters Webcast Series
Register Now – Free Webcast – Wednesday, November 28, 2012 at 12:00pm EST
Improving Auditorium and Theatre Safety: Tips for Reducing Risk

More than 250 of your peers have already signed up for this can’t miss seminar!  Register today to join them, and please forward this invitation to colleagues who might be interested.
If you’re not able to attend, register anyway – we’ll email you a link to the recorded webcast to view at your convenience!


Properly maintaining and inspecting auditoriums / theatres is a critical component of a proactive safety plan that minimizes potential hazards, reduces risk and safeguards event participants.

Join a FREE, interactive 75-minute webcast to hear industry experts discuss how preventive inspections and regular maintenance of auditorium / theatre facilities and equipment protect you from liability issues while also providing a safe environment that protects students, teachers, staff and the community from injury.
 

Improving Auditorium and Theatre Safety: Tips for Reducing Risk
Wednesday, November 28, 2012
12:00pm-1:15pm Eastern Standard Time (11:00AM CST, 10:00AM MST, 9:00AM PST)

Register Now!

You will learn safety tips and PM checks for auditoriums and theatres that will help you: 
  • Protect occupant safety, reduce risk and liability
  • Develop a regular theatre and auditorium inspection process
  • Document inspections, maintenance and repairs
  • Establish policies for facility access, supervision and use
  • Develop a method for reporting problems with these facilities
  • Train staff and students on proper use of these facilities
  • Achieve a safe and well maintained environment
Register now for this free webcast: https://cc.readytalk.com/r/ddwzo3zjjq5
Presenters are:
  • Tom Watkins:  Fine Arts Director        Van Buren School District, AR
  • Erich Friend:   Theatre Consultant       Teqniqal Systems
  • Roger Young: Executive Director         Facility Masters 
  • Justin Turner:  Applications Specialist – SchoolDude.com
Click or copy and paste the below link into your internet browser to register:
https://cc.readytalk.com/r/ddwzo3zjjq5

 
This Facility Masters webcast is sponsored by your friends at SchoolDude!

For additional resources on improving safety, PM and the learning environment, visit the Facility Masters Resource Library and the SchoolDude Resource Library.

http://img.en25.com/eloquaimages/tinydot.gifRoger Young
Facility Masters
1-978-886-6093
roger (at) facilitymastersonline (dot) com

Visit my Blog:  www.facilitymastersonline.com/blog/
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Wednesday, May 23, 2012

Whether or Not to Monitor Weather

To be, or not to be (rained-out, or sued out of business), that is the question.  As exemplified by recent weather-related event catastrophes, the monitoring of the local weather is no longer an option.  Sanity and safety dictate that event planners have accurate and knowledgeable weather experts closely monitoring the skies.
What better source for these experts than someone that lives dead-center in Tornado Alley - Norman Oklahoma.  WeatherOps is a subdivision of  Weather Decision Technologies, Inc., a global leader in providing state-of-the-science weather detection, nowcasting, and forecasting systems. WeatherOps is an live entertainment focused offering within WDT's range of services.  WeatherOps offers a staff of trained meteorologists that track weather as it pertains to a specific indoor or outdoor event.  They can provide forecasts and alerts that can be informational broadcast via Internet, SMS (text messages), mobile apps, and/or mobile push alerts.  Event managers have direct phone access to their meteorologists regardless of the time-of-day.

The popular music group Linkin Park has recognized the benefit of this type of service, and has contracted with WeatherOps to follow their 2012 Living Things tour.  WeatherOps will be providing the tour manager, Jim Digby, with color-coded emergency weather plans throughout the tour.  Digby is one of the founding members of the Event Safety Alliance.

Keep your events safer by proactive monitoring of weather activity by utilizing this, or other similar services.

Also see: www.theatresafetyblog.blogspot.com/2012/05/weather-resources-and-electrical-safety.html for a link to the Spring 2012 Protocol magazine article about event weather safety.

Saturday, March 31, 2012

Outlets, inlets, receptacles, plugs, jacks, whatever you call them, they oughta be correctly mounted

Alex, I'll go for $1,000 for "Places you shouldn't stick your finger.  Ever."


Note the missing cover plate and the uninsulated wiring sticking out.
Should not have an ungrounded outlet in a commercial building - or any building for that matter.


Note the extension box pulled off the wall.


Note the box and ground conductor completely missing.

Monday, December 19, 2011

Santa's Elves need to keep the workshop floor clear of obstacles

An elderly lady accompanying five members of her family to Santa’s grotto at a well known department store in London was injured during her visit, and the jury (not a team of reindeer) decided in her favor.  She successfully sued the events management company organizing the festive treat blaming Santa and his elf for failing to prevent her fall.

The grotto was operated by two employees, one who played Santa and the other an elf.  The elf escorted visitors in and out of the grotto whilst Santa sat on his customary throne entertaining his guests.  The elf and Santa both stated that they checked for loose items on the floor.  The injured lady's case was that she had lost her balance by stepping on a plastic icicle on the floor of the grotto which should have been seen and removed.

Santa and Elf leaving the Courthouse
Section 2 of the UK Occupiers’ Liability Act of 1957 required the events company to see that visitors would be reasonably safe in visiting the grotto.  This was found to not be the case.  The elf was concerned with many other duties – at a guess – toy-making and feeding reindeer perhaps!  It was found that Santa and the elf were not as careful in checking the floor as they should have been. If the icicle was there to be stepped on, it was there to be seen.

The overly benevolent view of the performance by Santa and the elf of their duties at first instance was overturned by the Court of Appeal who allowed the claim. Their checking of the grotto floor was held inadequate in protecting the public from falls.

Making a List, Checking it Twice!

Santa with his Safety Checklist
With claims against events holders attracting increasing publicity, this case highlights that the bar is set high for those responsible for carrying out hazard spotting.  Some guidance can be gleaned for events managers from the facts that have been touched upon in this case.  The main problem the events company could not overcome was the concern that time demands on their staff limited their attention towards taking precautions.  Staffing should be suited to the event in order to demonstrate that sufficient time and regard has been given to periodic checks, ideally being documented, as part of a documented risk assessment.  A higher standard of inspection is demanded for smaller areas such as this grotto, particularly in the context of the poor lighting present.

Employees need to be extra vigilant at all times, even in the season of goodwill to all men.

Be on the lookout for reindeer poo, too!  That could make you slip and fall off of the roof.

Tuesday, September 7, 2010

Rigging Report Card - Pass? -or- Fail!

J.R. Clancy Company, one of the largest Stage Rigging component manufacturers in the world, has introduced a new posting section on their Facebook photos page.  It is a Bad Rigging Photo of the Week.  Log in and check it out.  Scary is an understatementwww.facebook.com/JRClancy

These pictures, and similar ones I post here in the Theatre Safety Blog, and those that I show in my USITT workshops "What's Wrong With This Picture?" are all intended to make you take pause and think about what may be lurking in your theatre, or that theatre that you may be traveling to for your next show.

These types of poorly thought-out assemblies really go to show you how important it is to have your facility inspected by an objective party.  Things that you may casually dismiss because you've come to see them every day may actually be a really serious hazard.  A fresh set of eyes can be key to getting a wake-up call.  Independent Consultants (insert shameless plug for my company, Teqniqal Systems, here) can be a great resource for this as they work objectively and are not interested in selling you new equipment, just seeing that you are aware of the current state of affairs with your facility.

The NFPA 80 Standard for Fire Doors and Other Opening Protectives, 5.2, requires that you have your Fire Curtain inspected annually, so this is a good time to have the rest of the rigging system inspected as well.  If your facility is operating under OSHA (State plan, or Federal plan, or even if it's not - it's still a really good idea), then you are required to have your Rigging Systems inspected annually.

Not to be forgotten, your Smoke Vents (an important part of the Fire Curtain System along with the Fire Doors) must be tested annually.  Your Smoke Vents should have rigging that facilitates the operation from the stage floor level (don't tell me you are going to go to the grid iron deck to open them to clear-out extraneous atmospheric effects or summer heat).  This smoke hatch rigging (be it mechanical or motorized) must be inspected semi-annually as a part of the Smoke Vent inspections.  Ref: NFPA 204 Standard for Smoke and Heat Venting, 12.4.3.5.

Ask a lot of questions about the report that you are going to pay for.  What does the inspection include / exclude?  How long will it take?  Who should be present?

"Will you shut me down if I fail?" is a common question I get.  My answer is this:  I'm just the messenger.  I report what I see and put it in context so you and your administration can understand it and the potential consequences.  I quote relevant building or safety codes, if applicable to the situation.  I am not the AHJ (Authority Having Jurisdiction).  You are my customer, so I report to you.  Your building condition is your business, so you can act on the report as you deem appropriate.  Hopefully, you will get the broken stuff fixed.

One thing at a time:  Typically, a Rigging System Safety Assessment report will NOT include any design or specific engineered solutions.  It is only a report on the conditions.  Why is this excluded?  At the time I contract with you to perform the inspection, I will usually only know the general nature of the building layout and rigging systems, I will not yet have seen any of the actual conditions - how could I possibly estimate the cost of my services to (re)design a fix for what I have not seen?

"How much does this cost?" is the battle cry of the administrators.  Don't be smug and ask them why it matters - or retort "Would they rather pay for a funeral?"  That's not the question.  "How much does it cost?" means that they need to find the funds and understand the value.  When they understand what this inspection entails, why it is important and/or necessary, then they can address the funding issue. You can help the process by remaining calm and professional.  Drama Queens can alienate the administrators if they present more bluster than facts.  A good consultant can help you to educate them about this investment / recurring annual maintenance cost.

A little help on your part can be useful, too.  Do some research with your insurance provider, safety department, or even your regional / national arts groups.  Sometimes they have grant money available to help defray the cost of this work.  If it involves facility planning (that is what this is - planning for necessary improvements) and/or safety, the money is usually out there.

The answer, like so many things in life, is: "It depends."  You should be suspicious of anyone that offers you a "Free" or "Discounted" rigging assessment.  It will likely be worthless and largely incomplete.  This type of work takes time.  Time = Money.  No one makes a living on 'free'.  At a minimum, you are paying for the person's travel time and expenses to and from your facility, the time on-site actually testing, inspecting, observing, interviewing, photographing, and documenting what they find.  They then must organize all their findings into a coherent report that addresses your specific facility and put the information in context.  Each item should be clearly tagged with recommendations as to what needs removed, repaired, replaced, re-designed, etc.  The time expended writing the report can be many times the hours spent on-site.

The "It depends" factor is complex:  Do you have a walk-on gridiron?  Or do I need to rent a man-lift to go up a bazillion feet?  Do you have 1, 2, or 3 loading galleries?  How many line sets do you have?  How many are motorized?  Is this a Union House?  Am I inspecting just the Rigging System, or am I doing the Drapes,  Fire Curtain, Smoke Vents, and all the scabbed-on rigging at the Tormentors, Beam Electrics, Speaker Clusters, and Orchestra Shell components?  Is there an Orchestra Pit Lift?  Am I inspecting Fire Doors, Fire Alarms, and/or any other Life Safety Systems?

Be efficient with your investment.  Is your facility part of a School or College District that has multiple venues?  If so, then seriously consider having all the venues inspected under one contract.  No, this isn't a money grab.  It is about identifying the sources of problems.  If your inspector can assess 2, 4, or a dozen facilities as a whole, then the report you receive should be more manageable.  The areas of common concern can be discussed once, and the unique 'features' of each system or building can be addressed individually.  This allows you and your administration to see items that are systemic in nature and those that are local in nature.  A big picture that speaks to all of the district's Theatre Safety needs can be a powerful impetus for change and improvements.

Once the report is written and submitted, you will have a chance to read it and discuss it with your staff.  Don't shoot the messenger.  Understand that the inspector does not have an agenda, they are not 'out to get you', they are not seeking to close-down your theatre.

As Sergeant Joe Friday would say: "Just the facts, ma'am."  Don't interpret the safety report as an indictment of your operations or management.  It is not.  However, it may point to some areas of your operations that could use improvement.  The most dangerous part of a rigging system is the people that operate it.  Use your rigging safety report to improve your policies, methodologies, and show preparation.  Use it to plan repairs, upgrades, and service.  Learn from it.

Questions?  Call me or write me!

Wednesday, July 21, 2010

2010 LDI Show Schedule Available - Sign-up NOW!

The LDI International trade show has grown over the years to include much more than just stage lighting. You will also find sound, rigging, staging, video, projection, special effects, and thousands of tools to do your job more efficiently and safely. This year's show in Las Vegas (aka: Lo$t Wage$) runs Monday, October 18 thru Sunday, October 24 at the Las Vegas Convention Center.

Of particular interest is the growth of show production safety workshops being presented by ETCP trainers:
  • Stage Rigging Fundamentals - two days (L27)
  • Ohm's Law and Order: Essential Electrical Training - two days (L28)
  • Left Brain Rigging: An A-Z on Math and how it applies to rigging - two days (L29)
  • Left Brain Rigging Calculator - build your own spreadsheets for critical repetitive calculations (L30)
  • Tomcat USA: Safely Building the Beast - truss system design, fall arrest systems, ground supported systems - two days (L31)
  • Keep your Stage Rigging Happy & Healthy AR01)
  • Math for Riggers (Made Simple) (AR02)
  • System Integration Trends in Automation (AR03)
  • Is your GO Button Putting You at Risk? - Motor Control Technology & Risk Mitigation (ES01)
  • SIL Explained: Understanding European and Control System Safety Standards (ES02)
  • Fire Safety Curtain Systems - Closing the Door on Smoke (ES09)
  • Hook Up and Go! - Is Climbing on a Portable Structure Really That Easy? (ES10)
  • All About the ETCP (FS01)
  • ETCP paper & Pencil Exams at LDI - actually take the test(s)!
And of course, there will be lots of blinky lights and glittery things both inside and outside the convention center. Be There. See a Show. Have Fun. Learn Something.

More info at: www.ldishow.com/

Tuesday, July 20, 2010

Honesty is always the best safety policy: CM Steps-up to the Challenge

Well known electric chain hoist manufacturer Columbus-McKinnon (Commonly known as 'CM') issued a statement reminding customers about a known safety issue with some of their hoists.  This Safety statement pertains to questions about brake retaining pins on the company's hoists.

The company statement follows:

"There has been some information circulating recently within the Entertainment Industry in reference to brake retaining pins on Columbus McKinnon Hoists. This issue goes back to 2006 when Columbus McKinnon issued the attached notice concerning a small number of brake retaining pins for the following hoists: Prostar, Shopair, Shopstar, Shophoist, Model CPS, Budgit Series, Coffing SLC, Little Mule SLM and Yale SAL powered chain hoists built between February 2005 and April 2006. The serial numbers that were affected had the last two letters of RP, RQ, RR, RS, RT, RU, RV, RW, RX, RY, RZ, SA, SB, SC and SD.


"Columbus McKinnon did notify at that time every distributor that purchased the affected hoists and sent out replacement pins. Our distributors did a good job of notifying their customers and having the pins replaced. However it has come to our attention that some end users of the affected hoists may not have replaced the brake pins. If you have a hoist model and serial number listed above and the brake pin has not been replaced, please contact Columbus McKinnon directly at the number below.


Dean Sullins or Lee Gregor
1-800-634-4647
dean.sullins@cmworks.com
lee.gregor@cmworks.com"

Support manufacturer's that support your safety (and the gear above your heads).  CM LoadStar Hoist School is a great way to get first-person training (www.cmcodepot.com/cm-ettraining.aspx) regarding the hoists used by many of the touring show professionals around the world.

Visit CM's Entertainment Industry hoist web site (www.cm-et.com/) for more information.  These are versions of their commercial hoists that are specifically tailored to the unique needs of the show production industry.

Monday, July 12, 2010

Wind Gust Uplifts Festival Tent - Six Injured, 1 Broken Leg

What do they tell you?  "Break a leg!"  Not really a good plan for most of us.  The summer music festival season is in full swing and the weather in Tornado Alley can bring-in fairly large storms on short notice.  Tuesday, July 6th had crews setting-up for a Yes and Peter Frampton concert at the Lucky Star Casino in Concho, Oklahoma (about 20 miles west of Oklahoma City) when the skys opened-up and poured down rain with a strong downdraft.

Witnesses say the wind came in under the sides of the tent and pressurized it to lift it up and tear-out the anchor lines.  The wind toppled the sound towers and the overstage truss system as well.

Photo by Nate Billings, The Oklahoman newspaper

Fortunately, the incident occured before there were any audience members present.  The show was cancelled and will be reschedule.

TV Interview with injured crew member:
http://feeds.newsok.tv/services/player/bcpid66319854001?bctid=110205425001

NewsOK web site article: http://www.newsok.com/local-production-crew-talk-about-tent-collapse-at-lucky-star-on-tuesday/article/3474327

Arial footage showing tent site and mangled stage gear:
 http://www.youtube.com/watch?v=p7QMRTpv6V8

A walking tour of the stage and mix tower after the event:
http://www.youtube.com/watch?v=mjRq0jYM6Ok

This video reveals alot about the original set-up.  It shows that the truss bases were not anchored and did not have any ballast weights.  The rig was set-up as if it was an indoor show with no regard to the wind that could blow through and topple the gear if the tent was breached.

Anchor your Rigs!  Watch the weather!  Don't wait for it to hit before you react!

Monday, June 21, 2010

Concert Rigging in Michigan Collapses During Setup - 10 Injured, 2 Hospitalized

During the set-up of a concert stage in the Silverdome stadium in Pontiac, Michigan, 10 workers narrowly escaped death as tons of sound, lighting, drapes, scenery, and trussing collapsed.  Emergency responders from the Pontiac Fire Department were called to the Silverdome around 4:30 p.m. Saturday, June 19th, 2010, before the show started.  The initial call indicated that the domed roof had collapsed, but upon arrival they found that the concert staging framework had caved-in.  Workers recall seeing trusses being hoisted that appeared to be overloaded just be for the mayhem broke loose.  Two workers spent the night on a local hospital for observation.



Some of the most complete coverage if the incident can be found here:
http://www.theoaklandpress.com/articles/2010/06/20/news/local_news/doc4c1d46926f61b990888627.txt
http://www.theoaklandpress.com/articles/2010/06/21/news/local_news/doc4c1fd417969fc357332898.txt

There was no damage to the concert facility as the collapsed rigging was ground supported.  The concert was to be A R Rahman's Jai Ho Concert: The Journey Home World Tour.  Rahamn is best known for his musical score for the movie Slumdog Millionaire.

The concert was cancelled and will be rescheduled.  OSHA was on-site almost immediately to assess the damage and determine the cause of the accident.  With over 150 workers on or near the stage at the time of the collapse, it took some time to determine if anyone was buried under the tangle of wrecked scenery.

The summer tour season is a busy time of year for many stage hands, so for all of you out there bustin' your butt to make a living - keep a close watch on your co-workers and guests.  Don't hesitate to recognize potential hazards and notify the proper authorities if you see unsafe conditions.  Your life depends on it!

Procedural items to remember:
  • Preplan your show - Know your rig - and all the weight that is attached to it.
  • Verify your show - Use load cells to measure truss hoist loads.
  • Have spotters on radios monitoring (this means listening, too) all viewpoints during lifts.
  • Always clear the stage and call for quiet during lifts.
  • Have a gathering point (muster point) pre-arranged just in case there is an emmergency like this.  Don't have people wondering around afterward until you have a clear head count.
  • Where bright clothes during set-up and strike (it makes it easier to find the body) - save your blacks for the show.
  • Wear your PPE:  Boots, Hard Hat, Safety Glasses, Gloves, at a minimum, knee pads, and fall protection harness as required.
  • Don't work when you are worn-out or heat exhausted.  This seriously impairs your judgement.  Stay hydrated.

Thursday, June 17, 2010

'Paint it black' isn't just a song by the Rolling Stones


Dontcha just hate those glaring  EXIT  signs?  Some director's sure do.  They'll go so far as having the stage crew cover them up, or better yet:  Paint over them!

This is a great way to get a big fat fine from your Fire Marshal or the AHJ (Authority Having Jurisdiction), as it is an obvious deliberate act.

While we're on the subject of  EXIT  signs, it is important that you file a written request for repairs whenever you find them damaged or otherwise disfunctional.  Common problems with  EXIT  signs are:
  • Lamps burned-out (LED replacement lamps are very cost-effective).
  • Glass / Acrylic letters broken or missing (leaving exposed bulb).
  • Failed Battery Back-up (you have to test these at prescribed intervals per the NFPA).
  • Broken or Missing Covers.
  • Sign units torn from the wall and hanging by wires.
  • Sign units missing (I see these in brand new buildings!)
  • Sign units over doors that are not really Fire Exits (I see these in brand new buildings!).
  • Sign units above / adjacent to overhead rolling doors.
  • Sign units in  Black Box  theatres covered by perimeter drapery tracks so that audience can't see them.
  • 'Light-pipe' designs that don't effectively pipe the light to the sign (internal obstruction or bad product design?).
  • Sign units that are obscured by pipes, ducts, tracks, junk, stuff, scenery, greenery, or other crud.

Thursday, June 10, 2010

Dance the night away - but not your life.

Keeping, building, or replacing your stage floor so that it is properly sprung, free of cracks, splinters, protruding screw / nail / staple heads, and other little things that can cause serious injuries to dancers and actors should be a continuous process.  Keep the stage swept and clear of debris, watch for discontinuities between adjacent panel edges, floor pocket lids that don't close properly, are missing, or where the entire lid is not installed flush to the surrounding floor area.  Also watch for wall plates installed on floors and loose trim strips that join adjacent flooring areas.






If your stage floor is not sprung, then it should be a priority to have it replaced with a properly constructed floor that will work for your productions, dance, and other general uses.  There are many ways to construct floors that will last and be functional, so enlisting an expert (like a Theatre Consultant) that has experience in this area can be very helpful.  There are many possible materials to be used, and each has advantages and drawbacks.  Knowing what works, and what doesn't, can save money and injuries.

Another dangerous item on stage is old footlight troughs.  If they are not locked and you step on them, or maybe set a scaffoding leg or man-lift outrigger on them, they can fail or flip-over.  Equipment and people can topple and cause major injuries and damage.  This blogger knows of at least one dance instructor that had a career-ending spiral break of the leg bones that left them out of work for months and will never be able to dance professionally again.  That's serious stuff!

Resources:
http://www.danceusa.org/dancerhealth
ANSI E1.26 - 2006 - Recommended Testing Methods and Values for Shock Absorption of Floors Used in Live Performance Venues - http://www.ansi.org/
Dance This Dance That Blog - www.danceartkl.blogspot.com/2005/09/5-common-dance-injuries-how-to-treat.htm
Harlequin Floors FAQ - http://www.harlequinfloors.com/uk/dance-area/about-dance-injuries.html
Center Stage FAQ: http://www.centerstagellc.com/health/importance-of-proper-dance-flooring-injury-prevention-dancer-longevity/

Wednesday, February 17, 2010

KCACTF Region 6 - Safety Workshops

The Kennedy Center American College Theatre Festival will be holding an event in Amarillo, Texas (home of the Big Texan Steak House) at the Globe News Performing Arts Center on February 23 thru 27.  Info at: http://www.kcactf6.org/

I'll be presenting two Theatre Safety Workshops:
  • Friday at 2:00 PM we'll talk about the House Manger's role in Theatre Safety
  • Saturday at 1:30 PM we'll talk about the Stage Manger's role in Theatre Safety
Play Safe!

Wednesday, December 9, 2009

I've gotta get out of here!

I frequently find tables in the aisles in theatres, and occasionally in exit vestibules, which are both clear violations of fire codes, but this one was particularly troublesome: This was a laboratory table with a heavy top like a pool table, so it was not easy to move or toss aside. Even if you did move it, where would you put it that wasn't still blocking an exit aisle? Especially if there were people crowding toward the exit. On the other side of the door was the real surprise: They had an upright piano cross-wise of the doors (and a trash can, too!). You would have to pull the piano away from the door, open the door, turn the piano and shove it out the door (assuming there was a crush of people behind you also wanting to get out.)

The amazing part of this is that I have found three pianos blocking fire exits in less than two months - and one of them was a grand piano! Billy Joel would not be happy! Not to mention the Fire Marshal!

Oh yeah, did you notice that the EXIT signs did not have functioning lamps?

Thursday, November 19, 2009

Auditorium Safety Webinar Now Available at SchoolDude


These folks have graciously invited me to co-present a webinar about auditorium safety management. The event was live on Nov 18, 2009 and titled "Facility Masters Webinar Series: Auditorium and Theatre Safety".  It has been archived and can be viewed at http://discover.schooldude.com/forms/2009-11-RY-FM-MD-AuditoriumSafety.

At the SchoolDude web site you can watch and listen to the presentation by Host Roger Young, New Mexico Deputy Fire Marshal Ray Wolf, myself, and SchoolDude Mayor David Kornegay.  There are also many document and presentation downloads available.

Depending upon your area of theatre involvement, some aspects of this webinar may not seem interesting, however, please be patient and take the time to watch and listen all the way through it. There are points of information throughout it that relate directly to the theatre safety issues.  Please pass this link on to your school maintenance and management officials, too, so that they can see how facility management relates to theatre safety.

Tuesday, September 29, 2009

Greg Ladanyi Dies From Fall off of Stage

On Friday September 25th, 2009,  Grammy Award Winning Engineer/Producer Greg Ladanyi, President of Maple Jam Records, was touring with music artist, Anna Vissi, whose Greek album Apagorevmeno was his latest completed project.  Just before the show he was crossing a backstage bridge when he slipped and fell 5 meters and hit his head and ruptured a lung.  Ladanyi was rushed to General Hospital Nicosia, where he remained in critical condition throughout the weekend.  He from his injuries a few days later.  He was 57 years young.

More information can be found at:
http://prosoundnews.com/article/24448
www.studioexpresso.com/profiles/GregLadanyi.htm

Whether backstage, onstage, above the stage, or in the audience, one must be constantly vigilant for hazards. Watch your step!  Make sure that walkways and platforms have toe-boards (kick plates) to keep people and loose objects from slipping past the railings.

Thursday, September 17, 2009

Rollin', Rollin', Rollin' - Raw Hide! (Well, at least Raw Brain)


I found this steel microphone base up on the elevated locking gallery in this theatre. The gallery has no kick-plate around it's perimeter to keep heavy things from rolling or sliding-off onto the unsuspecting crowd below (which is a whole 'nother issue), and is about 10 feet above the stage floor.

Not setting round rolly things on edge over people's heads would qualify as a "no-brainer" to most folks. But you can never tell what somebody else might do. So, to keep from becoming a 'no-brainer' - always wear a hard hat around places like this. Pick one up at the local hardware stor or safety supply - they are less than $10 bucks and could save your life.

Wednesday, September 16, 2009

Pardon me while I trip over this pipe and impale myself...


This is a good example of where NOT to have a fire sprinkler pipe installed: Running right across the floor of a walk-on wire tension grid. Not only is it a huge trip hazard, but the hold-down calmps they used were left with bolt ends sticking up far enough to impale someone. Clearly, the bolts should be trimmed-off and the pipe maked with a bright yellow / black OSHA hazard marking tape.

Poor coordination in the design and installation phases cause things like this to happen. In reviewing the site, it was obvious that the sprinkler contractor just took the easy way through, as there was plenty of room overhead to run the pipes above even the tallest person working on the grid.

Not seen in the picture: right above the pipes were 2'x4' fluorescent work-lights that were suspended with the bottoms at about 5-8" above the grid deck. So, while you were busy looking down to keep from tripping, you hit your head on the sharp metal corners of the light fixtures (painted black to hide them). Yet another good reason to wear a hard-hat in the theatre!

Monday, May 11, 2009

Report it where?


Part of a Theatre Safety Program is Hazard Recognition and Reporting. There should be a clear and concise manner to report safety issues (unlike this sign, which was carefully placed in an entrance-way door, on both sides, but with none of the required information provided). Anonymous reporting should be available so that there is no fear of retribution.