Burn Survivor from The Station Nightclub fire speaks-out for the NFPA

On February 20th, 2003, a fire broke out in a nightclub that killed 100 people in just minutes.  Rob Feeney was there, and was one of the lucky ones that got out before the fire and smoke became to intense to survive.  Join Rob to read more about his experience at the NFPA's Fire Sprinkler Initiative blog.

http://sprinkler.blog.nfpa.org/2015/12/burn-survivor-from-the-station-nightclub-fire-now-nfpas-newest-blogger-and-fire-sprinkler-champion.html

For other posts about nightclub fires use the Theatre Safety Blog's search for keyword 'Station Nightclub'.

Fire and Audience Safety in Nightclubs

I went to a nightclub / restaurant tonight to get a bite to eat, and they had me seated upstairs in a balcony area that overlooked the main level of the nightclub.  Just as I was getting ready to leave, I went to go down the staircase that I had originally come-up, only to find that it was blocked with a portable sign that read:  "Stairs Closed" hand-scrawled in chalk.

There were no other instructions, signs, arrows . . . nuttin!  And the  EXIT  sign above the 'closed' stairs was still illuminated, beckoning all to "come-hither".

I look over the railing back towards the bottom of the staircase, and I see that the club has cordoned-off what was the main entrance to the club, and a band is loading-in their stuff.  The usual junk is piled every which-way: drums, speakers, guitars, mic stands, road cases . . .

Huh?  I look again, a sure enough, my eyes are not fooling me, they have removed the host stand and they are using the main entrance to the club as the stage.  I can see the glowing red  EXIT  signs over the doors.  I look around upstairs and I do find another exit, although it's not well-marked. So this means that 1/2 the upper balcony audience may have to go down the other stairs, and 1/2 may have to find their way out through the adjacent bar area (again - the  EXIT  sign in the adjacent bar area is NOT visible from the show room balcony seating area).

Next, I go downstairs to get a better look.  Once there, I see that at the bottom of the 'closed' staircase (which ended right at one of the two front doors), they had amplifiers and junk stacked in the travel path.  So I look around some more.  To the other side of the other main entrance / exit door there was a doorway that went into a souvenir shop at the time I came in to dine.  The souvenir shop had another exit door to the street, but now it was closed-off and inaccessible.  I moved away from the band's makeshift performance area and I found a passage out to anther adjacent part of the bar, it has an  EXIT  sign, but the lamps are burned-out, and the passage is circuitous and poorly illuminated.

I follow that passage into the adjacent bar chamber, and I can see two possible egress routes.  One has a vestibule with another door leading to the outside, but the  EXIT  sign for this door is only visible to about 1/2 of the room, or less.  I walk closer to this exit door and gradually the overhanging soffit that forms the vestibule area around the door reveals that there is an  EXIT  sign above the door.  Mystery solved!

Final count:  One functional exterior EXIT from upstairs (sign not visible from the balcony audience area), Two functional exterior EXITS from downstairs (one of which the sign is mostly obscured, neither of which are visible from the central audience area for the make-shift stage).

This means that a space that had SIX exits during the day (a light density crowd, mostly people dining) when the Fire Marshal visited and there was a lot of outside light filling the space through the windows; and only had THREE working exits at  night  when the patrons are highly inebriated and more densely packed.   All this on a Friday night in a college town . . .

Nightclub Fire in Brazil kills 235, injures over 140

The following report is excerpted from an article in by Associated Press writer JULIANA BARBASSA Original content here:  http://news.yahoo.com/no-alarm-only-1-exit-brazil-nightclub-fire-002812171.html 

SANTA MARIA, Brazil (AP) — The nightclub Kiss was hot, steamy from the press of beer-fueled bodies dancing close. The Brazilian country band on stage was whipping the young crowd into a frenzy, launching into another fast-paced, accordion-driven tune and lighting flares that spewed silver sparks into the air.

It was another Saturday night in Santa Maria, a university town of about 260,000 on Brazil's southernmost tip.

Then, in the pre-dawn hours of Sunday morning, January 27th, it turned into a scene of indescribable horror as sparks lit a fire in the soundproofing material above the stage, churning out black, toxic smoke as flames raced through the former beer warehouse, killing 233 people.

Picture Tweeted just as the blaze started

"I was right there, so even though I was far from the door, at least I realized something was wrong," said Rodrigo Rizzi, a first-year nursing student who was next to the stage when the fire broke out and watched the tragedy unfold, horror-stricken and helpless.

"Others, who couldn't see the stage, never had a chance. They never saw it coming."

A security guard said afterward that the club was at its estimated maximum capacity of between 1,000 and 2,000 people.

There was no fire alarm, no sprinklers, no fire escape. In violation of state safety codes, fire extinguishers were not spaced every 1,500 square feet, and there was only one exit.

As the city buried its young Monday, questions were raised about whether Brazil is up to the task of ensuring the safety in venues for the World Cup next year, and the Olympics in 2016. Four people were arrested for questioning, including two band members and the nightclub's co-owner.

Rizzi hadn't even planned on going out that night. He was talked into it by friends and knew dozens at the club. He said the first sign of a problem was insulation dripping above the stage.

The flames at that point were barely noticeable, just tiny tongues lapping at the flammable material. The band's singer, Marcelo dos Santos, noticed it and tried to put out the smoldering embers by squirting water from a bottle.

The show kept going. Then, as the ceiling continued to ooze hot molten foam, dos Santos grabbed the drummer's water bottle and aimed it at the fire. That didn't work either, Rizzi said. A security guard handed the band leader a fire extinguisher. He aimed, but nothing came out; the extinguisher didn't work.

At that point, Rizzi said, the singer motioned to the band to get out. Rizzi calmly made his way to the door — the club's only exit — still thinking it was a small fire that would quickly be controlled.

The cavernous building was divided into several sections, including a pub and a VIP lounge — and hundreds of the college students and teenagers crammed in couldn't see the stage. They continued to drink and dance, unaware of the danger spreading above them.

Then, the place became an inferno.

The band members who headed straight for the door lived. One, Danilo Brauner, went back to get his accordion, and never made it out.

The air turned dense and dark with smoke; there was no light, nothing pointing to the single exit. Rizzi found himself clawing through a panicked crowd that surged blindly toward the door.

"I was halfway across the floor, I could see the door, but the air turned black with this thick smoke," he said. "I couldn't breathe. People started to panic and run toward the door. They were falling, screaming, pulling at each other."

The manager, meanwhile, was outside dealing with a drunk and belligerent young man. No one there had any inkling of the desperate scene unfolding just beyond Kiss' black, sound-proof double doors, said taxi driver Edson Schifelbain, who was in his car, waiting for passengers.

A security guard poked his head out and said there was a fight. A fraction of a second later, someone inside yelled "Fire!" The manager opened the doors and it was like opening the gates of hell, Schifelbain said. 

Young men and women, mouths and eyes blackened with soot, clothes tattered, tumbled out screaming and crying. Some ran right over his taxi and two other cabs parked nearby, breaking mirrors, windshields, bashing in the doors. Horrified, he realized his cab was in their way, but couldn't move it because there were bodies hunched over it, collapsed in front of the tires, everywhere.

"The horror I saw in their faces, the terror, I'll never forget," he said. Two girls gasping for air climbed into his car, and as soon as he was able, he sped the six miles (10 kilometers) to the university hospital.

"One of them was crying all the way, screaming, 'My friend is dying,'" he said. "I did what I could. I don't know what happened to those girls." 

Inside the club, metal barriers meant to organize the lines of people entering and leaving became traps, corralling desperate patrons within yards of the exit. Bodies piled up against the grates, smothered and broken by the crushing mob.

Rizzi was stuck, unable to move, taking in gulps of smoke, feeling the gaseous mix burn his lungs.

He was within seconds of passing out, he said, when the whole frenzied mass suddenly lurched forward. The gates gave way, and everyone toppled over. Rizzi was lying on top of two or three people, several more heaped on top of him. He stuck out his hands, smacking them against the sidewalk and door.

Someone pulled him to safety. "To get out, I climbed, I pulled people's hair. I felt other people grabbing me, hitting me in the face," he said. "It's hard to describe the horror. But once I was outside, I recovered, and started pulling out the others."

Soon, he said, the street was a sea of bodies.

This was the scene 24-year-old Gabriel Barcellos Disconzi found when he arrived about 3:30 a.m., an hour after fire broke out. Wakened by a phone call from friends, the club regular immediately started pulling out bodies as smoke spewed so thick that entering the building was unthinkable. 

Using sledgehammers and picks and their bare hands, he and other young men broke down the walls. Born and bred in Santa Maria, the outgoing young lawyer had dozens of friends and acquaintances inside.

"It was all so fast, there was no time for anything, no time for crying over a friend," he said. "It was dead people over here, living over there. Body after body after body."

Both Rizzi and Disconzi were there when they broke into one of the bathrooms and found a tableau of nearly indescribable desperation: It was crammed with bodies, tangled and tossed like dolls, piled as high as Rizzi's chest. In the darkness and confusion, concert-goers had rushed into the bathroom thinking it was an exit. They died, crushed and airless in the dark.

"I'll never forget the wall of people," Rizzi said. Disconzi helped load them into a truck. Just the dead jammed into that bathroom filled an entire truck, he said.

By this time, the city was waking up to the dimension of the tragedy unfolding at its heart. Doctors, nurses and psychologists began arriving, giving immediate assistance — checking eyes and respiratory passages, stabilizing the burned, resuscitating those whose hearts had stopped or lungs had failed because of the smoke. The living they loaded into ambulances. The mounting number of dead went into trucks.

At Charity Hospital, the region's largest, "It was a war scene," said Dr. Ronald Bossemeyer, the technical director. "Trying to give care, comfort the living, and keep family members who started to arrive from overwhelming everything — it was madness," he said, choking back tears. "The wounded, the doctors, people running with saline, with oxygen. We've never seen so many patients." 

As families waited, nurses and technicians ran back and forth, bringing an earring, a shoe, a wallet, anything that could help identify those still living, Bossemeyer said.

As doctors were at work saving those who could be saved, a group of mothers was calling around to check on one another. Elaine Marques Goncalves woke up to that terrible question: Do you know where your child is? 

With a jolt, she realized two of her sons, Gustavo and Deivis, had not come home the night before. "I knew they'd gone to a club, but I didn't know which one," she said. Trying to keep calm, she joined the multitude pressing for news outside the hospital.

Hours later, she got some good news: Gustavo had burns on 20 percent of his body and had suffered two heart attacks as his lungs failed to draw oxygen, but he was alive and being flown to the state capital, Porto Alegre, for treatment. 

"I had time to put my hands on him and say, 'My dear, your mother is here with you,'" she said. "He was sedated, but I know he could hear. Then I had to tear myself away and go find my other son."

Hours passed as the dead piled up in the city gym. It took an entire day of anguish before she learned what she'd dreaded most: Deivis was dead.

As he lay there among basketball hoops and water coolers, one body among so many, she asked the questions on everyone's mind.

"How can a club just burn like that? People have to know what happened here," she said. "It won't bring back my son, but I have to ask. This nightclub was beyond capacity. The whole world has to know. Why couldn't they get out?"

*********************

Police were questioning the club's owner and interviewing witnesses as part of an investigation into what caused the blaze, state-run Agencia Brasil reported.

The club's license had expired in August and had not been renewed, local fire official Moises da Silva Fuchs told Globo TV.

In total, at least 235 [as of 1/30/2013] died - almost an even number of men and women - while over 140 people were treated in hospitals, Reuters reported.

Reinaldo Azevedo, writing on the Veja news website, asked why the fire department had previously approved a venue with only one exit. "Our grief must also exercise wrath," he wrote. "This is not a tragedy manufactured by chance. It is the work of a chain of negligence."

Ongoing updates about this event can be found at:
http://en.wikipedia.org/wiki/Santa_Maria_nightclub_fire 

A good commentary and news summary from the Ingorsoll-Rand Door Hardware Company's blog site I Dig Hardware: http://idighardware.com/2013/01/kiss-nightclub-santa-maria-brazil/

*********************

1940 - Rhythm Nightclub, Natchez, Mississippi - 209 fatalities.

1942 - Coconut Grove Nightclub - Boston, Massachusetts - 492 deaths.

1977 - Beverly Hills Supper Club - Southgate, Kentucky - 165 dead.

1981 - Stardust Nightclub - Dublin, Ireland - 48 killed.

1996 - Ozone Disco Pub - Quezon City, Phillipines - 162 died.

In 2000, 309 people were killed in a fire at club in Luoyang, China. 

2003 - Epitome Nightclub - Chicago, Illinois - 21 fatalities.

A 2003 nightclub fire killed 100 people in Rhode Island at The Station Nightclub after the rock band Great White illegally used pyrotechnics that ignited combustible foam soundproofing that lined the walls and ceilings of the venue.


Another celebration where fireworks ignited ceiling décor occurred in Buenos Aires, Argentina's República Cromagnon nightclub in 2004; the death toll there was 194.

A 2009 fire at the Lame Horse nightclub in Perm, Russia, was caused by fireworks igniting plastic decorations on the ceiling; 152 died as a result.

OSHA Urges Black Friday Crowd Management

WASHINGTON -- OSHA is encouraging retail employers to take precautions to prevent worker injuries during Black Friday and other major sales events during the holiday season.

In 2008, a worker was trampled to death while a mob of shoppers rushed through the doors of a large store to take advantage of an after-Thanksgiving Day Black Friday sales event. OSHA recommends that retailers follow certain safeguards against this type of tragedy.

"Crowd control [management] and proper planning are critical to preventing injuries and deaths," said Dr. David Michaels, assistant secretary of labor for occupational safety and health. "OSHA urges retailers to adopt a crowd management plan during the holiday shopping season that includes a few simple guidelines."

Crowd Management plans should include:

• On-site trained security personnel or police officers.
• Barricades or rope lines for pedestrians that do not start right in front of the venue's entrance.
• Implementing crowd management measures well in advance of customers arriving at the event.
• Emergency procedures in place to address potential dangers.
• Explaining approach and entrance procedures to the arriving public.
• Not allowing additional customers to enter the venue when it reaches its Maximum Occupancy level (NO SRO for spaces with fixed seating).
• Not blocking or locking of exit doors.

A fact sheet outlining these and other safety measures is available at www.osha.gov/OshDoc/data_General_Facts/Crowd_Control.html.

A letter that OSHA has sent to major retailers about preventing crowd-related injuries can be viewed at www.osha.gov/asst-sec/blackfriday_letter_2012.html.

Comments on this subject from Dr. Michaels are available for radio stations to rebroadcast.  To download the audio file, or view a transcript, visit www.osha.gov/ooc/previous-focus.html.

A crowd management guide can be downloaded from: http://forms.valorsecurity.com/rs/smsholdingscorporation/images/vss_crowd_management_guide.pdf

The National Retail Federation has also published an Effective Crowd Management Guide that can be found at: http://www.nrf.com/effectivecrowdmanagement/2012/#/0

107th Anniversary of the Iroquois Theatre Fire

As we start the new year let's take a moment to look around our facilities with a fresh set of eye's.  It never ceases to amaze me at the number of obvious fire hazards I see when visiting theatres, gymatoriums, cafetoriums, and other assembly spaces.

It sometimes seems like we haven't learned anything since that fateful day in Chicago where over 600 people lost their lives.  These are the common fire code violations I frequently see that also fueled the Iroquois Theatre tragedy:

• Scenery (costumes, props, flats, platforms, etc.) not constructed with fire retardant / incombustable materials.
• Fire Curtain not fully functional (Tied-off, stuck, snagged, blocked, etc.)
• Smoke Vent systems not functional.
• Fire Doors propped-open.
• Emergency egress lighting system inoperative.
• Egress Routes blocked with tables, chairs, pianos, platforms, road cases, scenery, and/or camera tripods.
• Exit Doors blocked, locked, or obscured.

Learn not to burn.  Keep your Fire and Smoke Protective Systems working properly and accessible.

Here is a blog entry from Lori Green at Ingersol-Rand Security Technologies, the manufacturers of Von-Duprin Door hardware.  They make one of the few crash-bar exit systems that don't make a lot of noise - Great for Theatres!  http://idighardware.com/2010/12/iroquois-theater-fire/

I've gotta get out of here!

I frequently find tables in the aisles in theatres, and occasionally in exit vestibules, which are both clear violations of fire codes, but this one was particularly troublesome: This was a laboratory table with a heavy top like a pool table, so it was not easy to move or toss aside. Even if you did move it, where would you put it that wasn't still blocking an exit aisle? Especially if there were people crowding toward the exit. On the other side of the door was the real surprise: They had an upright piano cross-wise of the doors (and a trash can, too!). You would have to pull the piano away from the door, open the door, turn the piano and shove it out the door (assuming there was a crush of people behind you also wanting to get out.)

The amazing part of this is that I have found three pianos blocking fire exits in less than two months - and one of them was a grand piano! Billy Joel would not be happy! Not to mention the Fire Marshal!

Oh yeah, did you notice that the EXIT signs did not have functioning lamps?

Natonal Fire Prevention Week - A look back at the Iroquois Theatre Fire

Much hasn't changed in the last 100 years - I still routinely find Fire Exits blocked, dysfunctional Fire Curtains, and flammable scenery, props, and costumes in every theatre I visit.  These were the very cause of the Iroquois Theatre fire. Think about it!

Asbestos Fire Curtain in an older theatre

For a bit of perspective, visit the following web sites a read-up on this disaster

• http://www.inficad.com/~ksup/iroquois.html
• http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9D02E5D71130E233A25750C0A9679C946597D6CF
• http://www.nfpa.org/assets/files/PDF/iroquois.pdf
• http://www.wayneturney.20m.com/iroquoisfire.htm

Please, think twice before you set the stage for another disaster.

And you really can't do this !

The earlier post about blocked exit corridors was just the beginning of this subject. This is probably one of the most dangerous and common problems I find in theatres. IF THE PATHWAY LEADS TO AN EXIT DOOR - THEN IT MUST BE KEPT CLEAR! Also note the broken emergency light and burned-out EXIT sign lamp. This door was at stage left.
This vestibule was at a house left leading from the audience chamber to the outside exit. This vestibule was also feed from the stage by doors on the left (barely visible in the picture). It had a table, chair, and loudspeaker cabinet all in the travel path.